Banker by day, and denizen of Los
Angeles' clubs by night, the protagonist of Ghalib Shiraz Dhalla's first novel
is navigating between more than just a day job and an active social life. In Ode
to Lata, Ali has left behind a tempestuous childhood in postcolonial Kenya, the
overprotective mother who raised him on a steady diet of Hindi cinema, an
emotionally abusive bisexual lover, and confused memories of his father's
violent death at the hands of his mistress. Now his mother's messages ramble on
his answering machine when he wants no one but his one obsession, Richard to
call.
Passionate and unflinchingly honest in its narrative, Ode to Lata scavenges the
depths of one man's misguided search for love in a world of emotionally-void
encounters and tangled memories. All the while, Alis' story is intertwined with
the unraveling of his parents' own doomed relationship and the film music of
Bollywood's eminent singer Lata Mangeshkar (Diva of Indian film music and the
namesake of the book's title). And it is this hopelessly romantic music that
scores their tormented lives and goads them to pursue love through chaos and
ecstasy.