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Heaven
dispels its hoardes of drunken angels.
Outside West Hollywood’s
trendy nightclub, buff bodies and their devotees spill out onto the
street like wingless creatures, disoriented from the closure of these
pearly gates. Indignant
cries rise up to the heavens. No
one, no matter how long they’ve lived in this city, can get used to
the fact that the elixirs of rum and vodka stop flowing at two a.m. At
this hour, even the city’s ardent loyalists threaten to move to its
nemesis, New York. Others throw nettled glances at the lamenters, their
hands confirming little plastic bags, vials, bullets -- alternative
inspiration -- in their jean pockets. They negotiate urgently through
the crowd to the next destination, filled with something akin to a
patronizing sympathy for the poor souls who haven’t progressed to
Ecstasy or GHB or Special K or some other animal tranquilizer delivering
nightclub nirvana.
Adrian’s arm is hooked into
mine and we don’t so much walk as sway out in the tide of men. He asks me how I’m feeling.
“Just like Dorothy Parker,
darling,” I drawl. “Just
like Mrs. Parker."
Pleased with my
metamorphosis, Adrian guides my hand to a bulge in his leather jacket
and throws me a conspiratorial
look. He’s smuggled out a
bottle of booze. I start hoping it’s Bacardi with that regal bat,
posing spread-eagled
-- quite the way one feels after a few -- on the label.
He probably hung around inconspicuously while the
bartender boxed up his supplies and nabbed whatever he could reach. We
laugh and Salman, now hanging heavily on
our shoulders and propelling us dangerously into the crowd, asks us what
the hell is going on and then without waiting
for an answer, bursts into a Hindi film song -- something campy that a
vamp like Helen or Bindu enacted in some
B-grade Bollywood film, nothing quite as tragic quite as tragic as the
stuff that appealed to me. Not
something by Lata. Now, one thing about
Salman is that he has no voice, a fault only made worse by his disregard
for his limitations
and insistence of volume. We ask him to shut up but he’s annoyed that I
won’t sing along.
“Come on, sing na? Forget those
melancholy Lata songs, yaar,”
he says. “It’s time for
some ‘Dam maro dam, mit jaye gaam…’”
We affix ourselves to a spot
where we can stand while others mill around us.
In the flurry of activity, a strange calm, one not unlikely
between kindred spirits, pervades Adrian and me.
I have found a reprieve even if I haven’t managed to find
Richard tonight. Adrian, one hand still holding the bottle securely
under his leather jacket, pulls me down to him with the other and I rest
my head on his shoulder while Salman unleashes a medley of other filmi
hits. He has turned his
back to us and is now assaulting the poor Mexican man selling hot dogs
on the boulevard with his impromptu performance.
As the vendor tosses links and sautees peppers and onions on his
mobile grill (the mélange creating a strangely repugnant yet
appetite-inducing aroma) he looks somewhat bewildered at being singled
out for Salman’s attentions. This
could be keeping customers away.
I
can’t hear Salman anymore and I’m quite sure Adrian can’t either.
Dusky horns blow in my mind.
And Lata, that ethereal voice from every Hindi film I’ve beheld
as a child, chimes in. I am
content in this state if not happy. With my body slumped against
Adrian’s, we must look like lovers to most everyone. The kind that through years of reinvention, long after the
rush of new love has quelled, have found an almost platonic way to stay
together, something made visible by a shared sense of style and
demeanor. Many have even
asked us if we are a couple but Adrian always relegates the answer to
me, like someone uncertain of the mood-driven response -- usually “no,
just friends” or, at times when we’re feeling more mischievous,
“yes, but only on rainy nights.” We look like the best of lovers
precisely because we aren’t that.
Romantic love is savage, vengeful, demanding, rarely the
foundation for the kind of calm one mistakes for a lover’s
relationship.
With
Adrian’s heartbeat in my ear, I envision Richard’s painfully
beautiful face during the siesta when I synchronized my breath with his
so that our bodies would rise and dip with graceful alternation, our
hearts beating in unison. The
frenzy my search for him flared in me only hours earlier, one which sent
me goring through the club with no regard for my friends or potential
lovers, has been sedated by the administrations of my favorite bartender
and Adrian’s pacifying breast.
©2006
Ghalib Shiraz Dhalla
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